The End of Print, 2nd Edition: The Grafik Design of David Carson
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Screen shot of my final version.
I’ve checked the mode of each images is CMYK. I changed the colour of texts.
Body texts are now in BLACK while the colour of questions depend on the colour of the curves which is GREEN, or BLUE, or ORANGE.
Furthermore, I drop all the size down and change the columns to 2. Try to give more spaces.
Impressive works by Gabriel Moreno.
In love with these illustrations and lines.
I’ve change the colour of body texts which is the same colour as the curves.
One day Workshop
Type Spec
As a refreshment, we were taught the basis of using InDesign again.
This is a practise of how to make a professional magazine by using grids, margins, paragraph style, character style, columns…etc.
1st Test export
To leave the space for quotes, I tried to type them in the circle. The colour would be the same as the curves which would seem like it is part of them.
Bigger Capital Letter, change to Ornament Font. Is that direct the readers to read or not?
I looked through Marian Bantjes’ book <I WONDER> It contains various Bantjes’ adventure in type, design and ornament. I can see how she used everyday elements to capture profound thoughts. As far as I am concerned, there is really no boundry between her works. Text and Ornament, message and medium, everyday and profound. If I want to design a magazine for her, I have to know more about her works her style and herself. And one of the best way is find out from her book!
The original drawing of my lines. The shape is based on the falling leaves.
I placed them in Indesign with the texts. I quite satisfied with the effect, but then I think black and white might be too serious and strong, maybe could try different colour.
